Camerata & Brendan Joyce: Schumann - Review

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Thu 13 Mar 2025

QPAC Concert Hall

Queensland's Chamber Orchestra, led by their Artistic Director and solo violinist Brendan Joyce, delivered a performance that was nothing short of extraordinary.



The evening began with Fanny Mendelssohn’s Overture in C Major, H265, a sparkling work that set the tone for the concert. The overture, with its light, brisk themes and flowing melodies, provided an early showcase of Camerata’s remarkable precision and energy. The orchestra's wind and brass sections played with vitality, setting a delightful stage for the evening ahead.

Next, the true centre-piece of the concert emerged: Robert Schumann's Violin Concerto in A Minor, arranged from his Cello Concerto Op. 129. With Brendan Joyce taking centre stage as the soloist, this rarely heard version of Schumann’s concerto demonstrated both his extraordinary technical prowess and deep musical sensitivity. Joyce’s violin playing was tender, expressive, and infused with a soulful lyricism. The delicate passages and soaring melodies were complemented by the orchestra’s subtle yet rich accompaniment, creating a perfect balance between soloist and ensemble.



The decision to feature Schumann's concerto, often overshadowed by its more famous counterparts, was a bold one, and it paid off in spades. It’s a work that deserves to be heard more often, with Joyce’s performance ensuring that the nuances and complexities of Schumann's composition were presented in all their beauty.


Following the Schumann, Francis Poulenc’s Sinfonietta provided a delightful contrast with its light, charming, and playful character. Poulenc’s work allowed the wind, brass, and percussion sections to shine, with each musician contributing to the playful spirit of the piece. The vibrant and colourful orchestration was a treat, and Camerata’s musicians brought the French composer’s humour and wit to life with finesse.

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A highlight t of the evening, however, was the delightful surprise of the wild card mystery guests. Pianists Mac Johnson and Jensen White, young but impressively talented, joined the ensemble to perform Schubert’s “Du Bist die Ruh” and Roger Quilter’s “Love's Philosophy.” Aged 18 and 20 they delighted the Concert Hall audience, with virtuosic and delicate piano playing and subtle and expressive vocals.

The concert concluded with an invitation to meet the musicians in the foyer, providing a warm and welcoming conclusion to a night of sublime music. It was a perfect way to end the evening, with the chance to personally thank those whose artistry had brought so much joy to the audience.

As always, Camerata proves to be one of Queensland’s musical treasures, delivering performances that are not only technically impressive but emotionally resonant.



The Camerata & Brendan Joyce: Schumann concert was no exception, offering a program that balanced passion, precision, and the joy of discovery.

Images : Alex Jamieson
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